In November 2016 Hermes opened a new branch in Chongqing, China.
Design: Denis Montel, RDAI
In November 2016 Hermes opened a new branch in Chongqing, China.
Design: Denis Montel, RDAI
Located in the Hongqiao Vanke Center in Shanghai, the Paras Cafe caters to the staff of nearby businesses and local residents.
Finished in blue and white the design primarily uses ceramic tiles, metal mesh and plain concrete with a single use of marble for the service counter.
Judiciously hung circular wall mirrors along with the perspective-bending illusions of the grid patterned white tile walls subtly help to create the sense of a large and varied space, which alloy mesh boxes above the service counter and central table area further help to define and divide.
Architects: The Swimming Pool Studio
Chief Designer: Jeremy Li
Area: 130 sqm
Location: Shanghai, China
Completion: July, 2016
Materials: Brick, Metal Mesh, Concrete, Marble
Lukstudio created a playful pavilion of colour and light as a pop-up store for eye wear brand Mujosh.
Taking cues from design elements of the brand’s range of sunglasses the pavilion combined retail space with an interactive ‘experience chamber’ inviting guests to play with shifting patterns of coloured light and shadow.
The basic rectilinear structure of white scaffolding supports a flat roof sheltering the interior and is intersected by three translucent prisms. Lit from within, these glow at night drawing in passersby.
location: Jing An, Shanghai
net area: 100 sqm
scope: architecture, interior, installation
project period: June – July 2016
team: Christina Luk, Yiye Lin, Alba Beroiz Blazquez, Ray Ou, Leo Wang, Celia Mahon-Heap, Cai Jin Hong, Marcello Chiado Rana
lighting consultant: Studio Illumine
3D visualization: Milos Zivkovic
general contractor: Centroid Construction
video: Vision Rouge Shanghai
special thanks to Marta Calamai
Vector Architects have designed a simple, contemplative, spiritual space extending into the air above a beach on the Bohai Sea.
Approached from the shore via a long, thin, concrete path the chapel presents a narrow, elongated profile with it’s steeply pitched roof rising above a flight of stairs. A centrally positioned rectangular aperture opens directly through the entire structure extending one’s view to the horizon beyond.
Ascending the stairs to where one may enter through double wooden doors one comes beneath a porch formed by the opening of a vertical slit to separate it from the body of the chapel. This porch is adorned with a single bell on a cross beam just below its apex.
Entering one finds a wall crossing most of the width of the chamber with a single central slit offering a view to the simple iron cross at the far end. Rounding the wall one enters the church proper, a simple space of 14m x 7m ending in a rectangular picture window facing directly out to sea. Rows of plain, wooden benches on either side of fer seating for visitors while a lectern set to one side provides a position from which they might be addressed without disrupting their view.
Lighting is thoughtfully controlled, with daylight appearing through various openings glazed with stained glass creating subtle plays of colour and shadow as the sun passes overhead.
To one side a narrow passage gives entry to a smaller space, once again ending with a view towards the sea, permitting a single visitor to stand alone in contemplation.
The inner and outer walls alike are of the same rough white concrete: textured enough to feel weather-worn , refined enough to present the chapel’ s delicate form.
Viewed from the sides the bulk of the chapel stands on thin legs seemingly unsupported but for the steps at the landward end. It appears to drift somewhere just above the horizon, at once both of the sea and of the land.
Beneath the body of the chapel a space is created where beach goers can gather, rest in the shade or pause to take in the view.
Architects: Vector Architects
Location: Nandaihe, Hebei
Client: Beijing Rocfly Investment (Group) CO., LTD
Project Year: 2015
Area: 270.0 sqm
Principal Architect: Gong Dong
Design Team: Dongping Sun , Yi Chi Wang, Jiahe Zhang
The Taiyang Organic Commune, located in a small valley amongst mountains to the west of Hangzhou, is a natural village of 140 households.
A series of small temporary structures were required. Local and natural materials were used, along with labour from the commune village. The structures needed to be economical and sustainable, as well as quick to assemble. The architects worked with local farmers to build structures suitable for farming use. Three bamboo structures have been realised: a pigsty, a hen house and a pavilion.
Extensive consultation with farmers during the design process concerning the animals’ habits and needs has resulted in a design which facilitates greater productivity with traditional breeds.
Architects: Atelier Chen Haoru
Client: Taiyang Organic Farming Commune
Team: Chen Haoru / Xie Chenyun / Ma Chenglong / Wang Chunwei / Zhu Xiaolong / Gu Anjie
Programme: pigsty / hen house / pavilion
Area: pigsty 256sqm / hen house 130sqm / pavilion 120 sum
Materials: Bamboo, thatch
The current Cloud Pavilion is a reinvention of a temporary version originally built in 2013 as part of the Shanghai West Bund Biennial for Architecture and Contemporary Art. While broadly maintaining the form, structure and concept of the original, the new pavilion is a permanent structure which succeeds both as sculptural object and practical event space.
The pavilion consists two horizontal rectangular slabs, forming the floor and ceiling, separated by a grid of thin vertical metal rods which surround an inner cloud-shaped space defined by a wall of curved glass. Within the cloud chamber a single column clad in wood contains a second interior space and access to the pavilion’s lighting controls etc. The entire ceiling within the glass wall is white and, but for a narrow strip around the edge, can be lit from behind filling the space with an even, diffuse light, and illuminating the pavilion as part of the night scenery along the river’s edge.
Occupying a former industrial site, symbolised by cranes preserved on the riverside, and now hosting a variety of activity spaces – a landscaped section of former railway line, skatepark, basketball courts, bouldering wall – the surrounding West Bund area is being thoroughly redeveloped with contributions from numerous Chinese and international architects.
Architect: Schmidt Hammer Lassen Architects
Local architect: Tongji Architectural Design Institute
Client: West Bund Development Corporation
Construction: May to July 2016
Area: 150 sqm
SHL have remodelled an existing office building for use as an incubator for hi-tech start-up companies.
A new facade of white, undulating, perforated, powder-coated aluminium envelopes the building. This covers some but not all of the building’s windows offering varying degrees of visibility and shade.
A new central atrium has been created allowing more daylight into the core of the building whilst serving as a central connecting space. Here a mural by shanghai-based artist,the Orange Blowfish, spans three floors up through the atrium along one flanking wall.
Casual seating, a suspended meeting room, and a number of planted outdoor terraces provide alternatives to more traditionally arranged office spaces.
architect: schmidt hammer lassen architects
landscape architect: schmidt hammer lassen architects
collaborating architect: UDG
structural engineer: UDG
client: Caohejing High Tech Park
area: 1977 sqm
Tony’s Farm is a supplier of organic foods. Their Lujiazui clubhouse, designed by Playze, features an organic restaurant (1f ), meeting space (2f ), as well as VIP dining areas, a balcony and show kitchen (3f ). Spaces are arranged within the three storey block with a vertical hierarchy of privacy from public areas on the first floor, through semi- private areas on the second floor and second floor mezzanine, to private VIP areas on the third. Degrees of privacy are also enacted through the shading of windows and accessibility, with the more private areas being shaded on all sides and having no direct access from without the building. This hierarchy is further reinforced by the separation of space – the first two floors share the east glass curtain wall and are connected by a series of boxes running between the two. These connected boxes flow from the first floor restaurant counter, spreading across the wall and ceiling before passing through the space between curtain wall and second floor to connect seamlessly with the central stairwell. This both establishes a continuity between the first two floors and emphasises the distinctness of the third.
Built area: 1230 sqm
Completion: January 2013
Team: Mengjia He, Pascal Berger, Marc Schmit, Martina Knotkova, Mching Wang, Didier Callot, Felix Zheng, Maggie Tang, Benny Hou, Daisy Yuan, James Liu, Chao Yu
Lighting Design: UnoLai
The Onehouse have designed a new office for themselves.
The main spaces are finished in an austere palette of black and white, with grey flooring. Planters of greenery, cacti and snake plant, provide a break in colour and form, their rounded stems and pointed leaves contrasting with the simple, rectilinear approach employed throughout.
Moving into more private offices and meeting spaces natural wood flooring and furniture, coloured chairs, and tungsten lighting soften the atmosphere.
Architects: The Onerous
Materials: brushed black titanium sheet, Black Cedar board, self- levelling flooring, stainless steel plate
Area: 480 sqm
Project Year: 2015
Chief designer: Fan Lei
Design team: Ma Yonggang, Geng Yifan
Interior layout: Fan Lei, Li Wenting
JW & Associates is a multidisciplinary design firm whose practice includes interior design, product design and architecture.
The initial concept of this design was to create an office environment accommodating diverse emotional and working states from the calm and solitary to excited group exchanges.
The first stage was the abandonment of excessive ornamentation in favour of function and practicality with a simple colour palette of white, grey and warm, natural wood.
The design’s primary feature is a meanderous central island which, running the length of the office’s central space in a series of waves, provides desk space and varied seating, as well as dividing the room. In addition the incorporation of stands of bamboo creates a soft and naturally varied form of division between the room’s two halves. Its continuous curve divides the space without creating discreet segments.
A connecting corridor runs the full length of the office joining closed offices at the far end via the central working area to a kitchen and snack bar adjoining the reception area immediately before the main entrance. A separate conference room further divides the kitchen area from the main office. Double doors at either end of the main office area can be used to isolate each area as required.
The reception desk utilizes off cuts leftover as waste material from the construction of the remainder of the project. A counter running the length of the kitchen area is coated with TK PET resin which runs down its side to form a continuous surface with the floor of the reception and kitchen area. The clear resin is marked with large brush strokes of Chinese ink and flows over the floor’s boundaries into the central office area and meeting room giving the impression of standing water.
Architects: JW (SHANGHAI) ARCHITECTURE DESIGN & CONSULTING
Area: 390 sum
Design: Yao Jun